Mark Richards

Oscar Nominees 2014, Best Original Score (Part 4 of 6): Arcade Fire and Owen Pallett’s Her

Although William Butler of the Canadian indie rock band Arcade Fire and Canadian composer/performer Owen Pallett received their first Oscar nomination for their score to the sci-fi romance film Her,

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Oscar Nominees 2014, Best Original Score (Part 3 of 6): Alexandre Desplat’s Philomena

2013 was a relatively quiet year for Alexandre Desplat, at least by the composer’s industrious standard, scoring three films as opposed to the seven of the previous two years. Nevertheless,

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Oscar Nominees 2014, Best Original Score (Part 2 of 6): Thomas Newman’s Saving Mr. Banks

  Saving Mr. Banks earned veteran Hollywood composer Thomas Newman his 12th Oscar nomination and the 2nd in consecutive years following last year’s nomination for his score to Skyfall. Being

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Oscar Nominees 2014, Best Original Score (Part 1 of 6): John Williams’ The Book Thief

With his score for The Book Thief, John Williams earned his 49th Oscar nomination, adding to his impressive achievement as the second most Oscar-nominated individual in history behind only Walt

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Ennio Morricone’s Score for Once Upon a Time in the West (Part 1 of 3): Jill’s Theme (Main Theme)

Ennio Morricone has one of the most distinctive sounds in all of film music, a highly unusual trait in a business where the composer is generally a musical chameleon, writing

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