This is the fourth in a series of six posts on the 2013 Oscar nominees for Best Original Score. After discussing each of the five nominees in separate posts, the sixth […]
Oscar Nominees 2013: Thomas Newman’s Score for Skyfall Read More
This is the third in a series of six posts on the 2013 Oscar nominees for Best Original Score. After discussing each of the five nominees in separate posts, the sixth
Oscar Nominees 2013: John Williams’ Score for Lincoln Read More
This is the second in a series of six posts on the 2013 Oscar nominees for Best Original Score. After discussing each of the five nominees in separate posts, the sixth
Oscar Nominees 2013: Mychael Danna’s Score for Life of Pi Read More
This is the first in a series of six posts on the 2013 Oscar nominees for Best Original Score. The first five posts will discuss each of the nominees individually,
Oscar Nominees 2013: Alexandre Desplat’s Score for Argo Read More
Hans Zimmer worked alone for the trilogy’s final installment instead of collaborating with James Newton Howard, who claimed that, although he had contributed much to the music of these films,
Musical Themes in the Dark Knight Trilogy, Part 5 of 6: The Dark Knight Rises Read More
Although the score for The Dark Knight was a collaboration between Hans Zimmer and James Newton Howard, the composers divided up the music for the two main villains of the film,
Musical Themes in the Dark Knight Trilogy, Part 4 of 6: The Dark Knight Read More
