Analysis

Oscar Nominees 2015, Best Original Score (Part 3 of 6): Jóhann Jóhannsson’s The Theory of Everything

No stranger to film scoring, Jóhann Jóhannsson has been writing music for films for the last fifteen years (mainly for films from his native Iceland and from Europe), and has […]

Oscar Nominees 2015, Best Original Score (Part 3 of 6): Jóhann Jóhannsson’s The Theory of Everything Read More

Ennio Morricone’s Score for Once Upon a Time in the West (Part 3 of 3): The Frank/Harmonica Theme

  In most film scores, themes are usually associated with a single character. This is the case, for example, with the previous two themes examined in this blog series: those

Ennio Morricone’s Score for Once Upon a Time in the West (Part 3 of 3): The Frank/Harmonica Theme Read More

Ennio Morricone’s Score for Once Upon a Time in the West (Part 2 of 3): Cheyenne’s Theme

  “Cheyenne’s theme” from Once Upon a Time in the West is another example of Ennio Morricone’s economical use of melodic and harmonic materials, and unusual choice of instrumentation that

Ennio Morricone’s Score for Once Upon a Time in the West (Part 2 of 3): Cheyenne’s Theme Read More

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